A monograph on the work of Pedro Proença, covering the different phases of his painting and drawing, and focusing on some special installations of considerable size, whose composition is marked by the iconography and symbolism so characteristic of the artist’s work. This edition includes an essay by Alexandre Melo and an in-depth interview with Pedro Proença, conducted by Filipa Oliveira. A work from the PLMJ Foundation collection has been chosen for the cover of this publication.